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His actions will be a primary mover of plot. Your protagonist is going to be linked to a variety of story elements. Keep in mind that you can tie any elements together, not only those I mention here, and you can weave those connections through at any point in the story. Let’s look at ways to create those story connections using basic story elements. Whichever course you take, make sure the connection between opening and ending is solid. If you prefer the setup of the opening pages, you can always change the direction of the middle and end sections, rewriting those to match the promise of the opening pages. This is, of course, assuming you like the direction the story took.
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If your story turns out to be a different one than you intended when you wrote page one, if the beginning points in one direction but the story follows a different path, you have a duty to return to the beginning and rework it so that it matches what follows. And write the opening that will lead to the ending you want to portray. Write the ending that matches the beginning. If there is no connection between story opening and story ending, the writer has failed his story in the most profound way.Ĭonnect your story beginnings to the endings. The climax and resolution are the answer or fulfillment of the opening dilemma. And for the most basic of the basics, the ends of stories need to be connected to the beginnings. It is these connective threads I want to look at today.Īt the most basic level, story elements need to connect. We also have connecting threads, threads that link story elements and create cohesion and depth and fullness in our fiction. We can speak of narrative threads, the plots and sub-plots that make up the events of the larger story. When we talk of story threads, we need to be sure we’re referring to the same subject stories make use of at least two kinds of threads. Instead, the threads cross and cross again, more like complex webs that meet at many points along their lengths. Thus the links are not from one part of a story to only one other part, as though untouching strings are laid out end to end. Plus, one story element-one line of dialogue or one character action-can be connected to several other parts of the story. Story elements are connected to what has come before them in the story and connected to what comes after. Characters and plots are intertwined, setting establishes mood, dialogue flows from action, and reaction comes from dialogue.
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We often look at the elements of fiction and the areas of writing separately so we can analyze them, figure out, without distraction of the other elements, how to use each.īut no part of writing exists in a vacuum. Novemby Fiction Editor Beth Hill last modified November 30, 2011